Broadway Show Finder
Discover which Broadway musical is perfect for you based on your preferences, budget, and what kind of experience you're looking for. Answer a few questions below to get your personalized recommendations.
What kind of experience are you looking for?
What's your budget for tickets?
Who will you be bringing?
How long can you stay?
Your Recommended Shows
Based on your preferences, these shows are perfect for you:
Must-See
If you’ve ever stood outside a Broadway theater, watching the neon lights flicker and hearing the crowd buzz before curtain time, you know something special is about to happen. Broadway isn’t just theater-it’s a living, breathing experience where music, story, and performance collide in ways that stick with you long after the final bow. But with dozens of shows running at once, how do you pick the one that’s truly worth your time, money, and emotional energy? Not every show deserves a spot on your bucket list. Here are the Broadway musicals you absolutely shouldn’t miss in 2025.
The Show That Still Gives Chills: Hamilton
It’s been nearly a decade since Hamilton exploded onto the scene, but it hasn’t lost its power. Lin-Manuel Miranda’s retelling of Alexander Hamilton’s life through hip-hop, R&B, and traditional show tunes isn’t just clever-it’s revolutionary. The cast changes slowly, but the energy never dims. Audiences still stand up at the end, not because they’re told to, but because they can’t sit still. The lyrics are dense, the choreography is sharp, and the storytelling moves faster than a bullet. If you’ve never seen it, this is your moment. If you’ve seen it before, go again. You’ll catch something new.
The Emotional Powerhouse: Hadestown
Imagine a musical that blends Greek myth with Depression-era jazz and folk ballads. That’s Hadestown. It’s not flashy. It doesn’t need to be. The story of Orpheus and Eurydice, trapped in a dystopian underworld ruled by Hades, feels terrifyingly modern. The music, written by Anaïs Mitchell, is hauntingly beautiful. The lead performers don’t just sing-they breathe life into characters who are broken, hopeful, and stubbornly human. The set, a rusted industrial labyrinth lit by flickering bulbs, feels like a forgotten factory where dreams go to die. And yet, by the end, you’ll believe in love again. It’s quiet. It’s devastating. And it’s the most moving thing on Broadway right now.
The Pure Joy Bomb: Wicked
Some shows are spectacle. Wicked is pure, unfiltered joy. The story of Elphaba and Glinda-two witches who become unlikely friends-has drawn over 70 million people worldwide since it opened in 2003. And for good reason. The songs are anthems: "Defying Gravity," "For Good," "Popular." The costumes dazzle. The staging turns flying into something magical, not just technical. It’s a story about being misunderstood, choosing your own path, and the cost of being labeled "evil." Kids, teens, grandparents-all of them leave humming. If you want a night that feels like a warm hug wrapped in glitter, this is it.
The Dark, Gritty Masterpiece: The Lion King
Don’t let the Disney label fool you. The Lion King on Broadway isn’t a cartoon come to life-it’s a theatrical marvel. The puppetry, designed by Julie Taymor, turns animals into living art. A giraffe made of fabric and poles walks across the stage. A herd of antelope moves as one, their legs rising and falling in perfect rhythm. The music, by Elton John and Tim Rice, still hits like thunder. And the story? It’s Shakespearean. Power, betrayal, redemption. It’s not just for kids. Adults sit with tears in their eyes during "Circle of Life." The show doesn’t just entertain-it reminds you of your place in the world.
The Newcomer That’s Already a Hit: Shucked
Opened in 2023, Shucked is the surprise hit of the last two seasons. A country-music comedy about a small-town man who tries to save his corn crop by entering a contest, it’s funny, fast, and full of toe-tapping tunes. The cast is electric. The jokes land. The banjo solos? Unforgettable. It doesn’t take itself seriously-and that’s why it works. If you’re tired of heavy dramas and want something that makes you laugh out loud while tapping your foot, this is your pick. It’s the kind of show that feels like a party you didn’t know you needed.
What Makes a Musical "Must-See"?
Not every popular show is a must-see. Some are loud. Some are long. Some rely too much on special effects. The real must-sees have three things: a story that stays with you, music that lives in your head, and performances that feel real. You shouldn’t just watch them-you should feel them. That’s why Hamilton and Hadestown top the list. They don’t just perform-they transform. The audience doesn’t just watch. They remember.
Also, timing matters. Some shows close unexpectedly. Others sell out months in advance. If you’re planning a trip to New York, book early. Don’t wait until the day before. The best seats go fast. And if you’re on a budget? Try the lottery. Both Hamilton and Hadestown offer digital lotteries for $10 tickets. It’s a gamble, but for the right show, it’s worth it.
What to Skip
Not every long-running show deserves your attention. Some, like Jersey Boys or Beautiful: The Carole King Musical, are fine-but they’re biographies with songs, not stories with soul. Others, like Aladdin or Frozen, are great for kids but feel like theme park rides for adults. There’s nothing wrong with them. But if you’re looking for something that changes how you think about theater, these aren’t it.
How to Choose
Ask yourself: Do you want to cry? Go for Hadestown. Do you want to cheer? Go for Wicked. Do you want to be stunned by language and rhythm? Hamilton is your answer. Do you want to laugh until your sides hurt? Shucked won’t let you down. And if you want to feel like you’ve witnessed something ancient and timeless? The Lion King delivers.
There’s no wrong choice among these five. But if you can only see one, let it be Hadestown. It’s the quietest show on Broadway-and the loudest in your heart.
What’s the most popular Broadway musical right now?
As of 2025, Hamilton remains the most in-demand show, consistently selling out months in advance. But Hadestown has the highest critical acclaim and emotional impact, making it the favorite among theater veterans. Ticket sales data from The Broadway League shows both shows averaging over 95% capacity weekly.
How much do Broadway tickets cost?
Prices vary widely. For top shows like Hamilton or Hadestown, premium seats can hit $500-$700. But orchestra seats usually range from $150-$300. The best way to save is through the official lottery-$10 tickets are available for most major shows via the TodayTix app or the theater’s website. Rush tickets, sold day-of at the box office, often cost under $50.
How long do Broadway shows run?
Most musicals run 2.5 to 3 hours, including one intermission. Hamilton is 2 hours 45 minutes. Hadestown is 2 hours 30 minutes. Wicked is the longest at 2 hours 45 minutes with a 15-minute break. Always check the official show page for exact timing.
Is it worth seeing a musical if I’ve never been to Broadway before?
Absolutely. The first time you see a live Broadway show is unforgettable. Start with something accessible like Wicked or Shucked if you’re new. The energy of a packed theater, the live orchestra, the actors singing right in front of you-it’s unlike anything you’ll experience at home. Even if you don’t know the songs, you’ll feel the emotion.
What’s the best time of year to see a Broadway show?
Fall (September-November) and spring (March-May) are ideal. Summer is hot and crowded. Winter has fewer tourists, but the shows are still packed. Avoid holidays like Christmas week-prices spike and availability drops. Midweek performances (Tuesday-Thursday) often have better seating options and lower prices than weekends.
Can I bring kids to Broadway shows?
Yes, but check the age recommendation. Wicked and The Lion King are fine for ages 8+. Hamilton and Hadestown are recommended for ages 12+ due to complex themes and language. Shucked is family-friendly and great for all ages. No babies or toddlers allowed-most theaters enforce strict age policies.